7/21/2023 0 Comments Ludas tonalisIn this system, the major-minor duality is meaningless and the practice of modulation is dropped, although subject modulation occurs in the second fugue, to create growing tension. The affinity of each note with the keynote is directly related to its position on the harmonic scale. Ludus Tonalis can be thought of as the most direct application of Hindemith's theory that the twelve tones of the equally tempered scale all relate to a single one of them (called a tonic or keynote). Unlike Bach's work, though, the non-fugal pieces in Ludus Tonalis frequently repeat the work's main theme. There are some vocal works that have also been recorded, but. He is best known for his operas, fragments of one appearing on the Naxos label. BRIDGE RECORDS 9487 69:43 Hugo Weisgall is unlikely to be a familiar name to most readers. March 2016, Studzinski Recital Hall, Bowdoin College. Ludus Tonalis was intended to be the twentieth-century equivalent to J.S. Ludus Tonalis (1942) 51:46 Martin Perry (piano) rec. The tonalities of the fugues follow the order of his Serie 1 and use the keynote C (see The Craft of Musical Composition). In between, there are twelve three-part fugues separated by eleven interludes, beginning in the tonality of the previous fugue and ending in the tonality of the next fugue (or in a different tonality very close to that). The piece, which comprises all 12 major and/or minor keys, starts with a three-part Praeludium in C resembling Johann Sebastian Bach's toccatas, and ends with a Postludium which is an exact retrograde inversion of the Praeludium. From the first and final movements, respectively. There is a striking symmetry around the center of the cycle (the march).Piano work by Paul Hindemith Opening ( Play ( help Postludium: Retrograde inversion of the Praeludium.Fuga undecima in B ( canon): Accompanied canon.Fuga nona in B ♭: Subject transformation fugue.
0 Comments
Leave a Reply. |